Wesley
Mortimer woke, just as he did everyday. He stretched as usual,
groaned as usual and smelled the smoke in the air as usual.
“Wait
a minute...” He muttered, before stretching his arms up.
He
threw on a dressing gown, his brown one today; the black one was
elsewhere, he wasn't sure where. He was certain it just disappeared
overnight, but that was unlikely as his room's door was locked, and
his window closed, and remained unbroken. He'd probably just put it
in the wrong cupboard. Having no real urgency in his day, he checked
his wardrobe, finding no trace of it.
He
shrugged, before leaving the room and heading to the kitchen.
“Morning!”
Grimshaw called to him. “How you doing?”
Mortimer
scrunched his face up in disapproval. “That's a bit 1990s, isn't
it?”
“Don't
you mean 1890s?” Grimshaw asked, opening a drawer and rooting
around in it.
“No,
I mean the 1990s.” Mortimer called over the noise of
assorted...well, he didn't know what was in that drawer, that was
Grimshaw's drawer. “Just seems a bit off for some 1920s fiction.”
“Are
we fiction? I forget.” Grimshaw wasn't paying attention, Mortimer
could tell. So he ignored it and looked around.
“Wait
a minute...”
Grimshaw
looked abruptly up and stopped rooting around in the drawer. “What?”
“Something's
not right this morning, and I'm not sure what.” He sat down at the
table and watched Grimshaw closely as he went back to the drawer and
withdrew something from it, throwing it on the bonfire.
“Wait
a minute...”
“Is
this about the bonfire?” Grimshaw asked, waving an arm at the
burning pile of stuff.
There
was a sigh.
“Why,”
Mortimer asked, “Is there a bonfire in the kitchen?”
Grimshaw
looked at it, waving his arm at it again. “You don't like?”
There
was a sigh.
“The
body on the table last week was one thing,” he paused, not for
dramatic effect like anyone reading this may think, but simply to
yawn, “but this is just ridiculous! Not to mention dangerous, what
if it burns the house down?”
Grimshaw
seemed shocked, his face had gone all weird. “It's next to the
sink, it's fine.”
“So,
if it gets out of control, you're just gonna pour water on it until
it dies?” Mortimer rubbed his forehead, which was beginning to
ache; he couldn't take this every freaking
week.
“Pretty much, yes. Problem?”
“What if the sink catches fire?” Mortimer asked, genuinely a bit
curious about his friend's plan.
“Oh, the sinks full of water. And you can't set water on fire
unless there's some fracking nearby, and then its only because the
water becomes mixed with methane.” Grimshaw answered quickly and
rather dismissively, even waving his hand as if to dispel Mortimer.
“What's fracking?”
“I
think it's a word people use instead of saying...” Grimshaw looked
around quickly, before leaning in and lowering voice, “Instead of
saying fuck.”
Mortimer was taken aback “Why does intercourse cause methane in the
water? How, I mean.”
“I dunno, they must be doing it wrong. Or I meant that way of
getting oil out from underground. Not quite sure really, but none of
that appears to be happening around here.”
“The intercourse or the other thing?”
“Probably both; it's the 1920s, no-one has sex and, even if they
did, we are bloody English, and will not speak of it!” Grimshaw
sounded strangely patriotic.
“Oh, fair enough then.”
There was silence.
“Why is it there though?” Mortimer asked.
“Don't you like it?” Grimshaw sounded hurt.
“Please say it's not just there because you like fire.”
There was a sigh.
“It is pretty though.” Grimshaw observed. “But there is a
practical reason for it; a man was burnt alive a couple of days ago,
and I was observing the effects that fire has on clothing to see
roughly how long he was burning for.”
“Why time it?”
“Oh, just to see if the suspect's alibi works out. Apparently, he
was visiting his grandma around the time police found him, but the
timing of him arriving there seems to be in question. So I'm burning
some old clothes to both clear some room around the house and see how
long it takes. Currently, the suspect seems to be in the clear.” He
picked up a sleeve and threw it on the fire, taking note of the time.
Mortimer narrowed his eyes and stood up. “What was that?”
“Hmmm?” Grimshaw questioned without words, a universal way of
asking someone to repeat themselves.
Mortimer walked slowly over to Grimshaw. “What. Did. You. Put. In.
The. Fire.”
“Oh, just the last piece of that brown dressing gown you hate..”
Grimshaw beamed at him. “Hope that's okay.”
Mortimer looked at the brown sleeve of his dressing gown. “I'm
wearing the brown one, you clod!”
Grimshaw looked him up and down, and blinked in surprise. “So you
are. Well, that must have been one, I suppose.”
“Are you fracking colourblind?” Mortimer grabbed the sleeve out
of the fire and patted it down.
“No, but I figured that you'd be wearing the black one at night,
and they all the same in the dark!”
“Wearing it at night...? Why would I wear it in bed?” Mortimer
threw the useless sleeve back on the bonfire, which whooshed. “Did
you sneak into my room when I was sleeping?”
Grimshaw shrugged. “I assume so, it was night-time.”
“Why didn't you just ask for it?”
“I thought you'd say no.”
“Then
why,” Mortimer seethed, “did you just not burn something of
yours?”
Grimshaw
gave Mortimer a strange look, as if confused. “Because I like all
of my stuff. You do not like some of your stuff. Ergo, we burn your
clothes, not mine.”
Biting
back a vicious retort, Wesley sighed. He knew he couldn't win this
argument. “So, you're seeing how long clothes burn for until they
reach the state they were on the body of the burnt man in order to
test if the suspect's alibi holds up? Am I right?”
Grimshaw
beamed and clapped his hands together. “Exactly right!”
Wesley
looked at the wood on the bonfire, opened his mouth, then closed it
again.
“Problem?”
Grimshaw's voice was strangely curt.
“Well,
if you're burning with different materials, then your results won't
be accurate.” Wesley waved his hands as if to address the
ridiculousness of the situation, but the action only resulted in
adding to it.
Grimshaw
sighed. “Oh Wesley, you think I am some sort of fool? The suspect
burned the victim using a broken-up chair from the victim's home, and
doused them in pure ethanol, before setting the pile on fire.”
“How
do you know?”
Grimshaw
lit up; he loved showing off. “Well, I ran my finger along the
burnt out remains, and took a taste: definitely burnt whiskey, I'd
know that taste anywhere.”
Wesley's
face twisted in disgust and intrigue. “Why?”
“Because
the plot demands me to.” Grimshaw nodded to himself. “So, I took
another chair from the victim's house, added some whiskey and,” he
pointed to the still-crackling bonfire, “voilà!”
Wesley
nodded. “I suppose that's fair. I assume we're taking these
observations to Scotland Yard?”
“You
assume correctly.” Grimshaw picked up a mug, dipped it in the water
in the sink and poured it over the fire, which hissed. “Now get
changed and ready.” Grimshaw repeated the action.
“Yup.”
Wesley said, voice monotonous as he stared at the blackened, now wet,
patch of carpet.
Grimshaw
waved him away. “Well? Get on with it.”
Wesley
tore his eyes away from the patch and trudged back to his bedroom,
investigating the lock on the door as he did so; no signs of wherever
Grimshaw tampered with it. He tutted and closed the door.
*
“So, do you have any other leads?” Stangerson asked. “We've got
one guy,” Stangerson showed Grimshaw a photograph of a middle-aged
man, “who's under suspicion, but that's all right now.”
“Not at the moment, no.” Grimshaw looked sideways at Wesley, who
looked confused. “Another look around the crime scene would be
appreciated.”
Stangerson sighed, before nodding quickly. “Yes yes.” He
muttered, sounding troubled. “I'll get one of the boys to take you
there.”
Grimshaw bowed his head. “Thank you.”
Stangerson turned to leave them, before looking back and nodding
once. Grimshaw acknowledged this with a smile, before turning to
Wesley. “What's wrong?”
“What happened?” Wesley looked around slowly, as if he was
dreaming, or in some sort of trance. “I went to my room...and then
I'm here.” His head snapped up to look Grimshaw in the eyes. “Did
you drug me again?”
“What?” Grimshaw looked genuinely flustered. “No!”
“Then what happened?” Wesley asked.
“You got dressed, we came here, gave Stangerson the evidence and
now we're about to go to the crime scene.” Grimshaw said slowly and
clearly, annunciating everything clearly, before bending down to
whisper in Wesley's ear. “The author used a transition so he didn't
have to write all that stuff. Bit lazy really, you'd think he'd
document everything in our lives.”
Wesley thought about it for a minute, before nodding. “That is
lazy.”
“It is.”
*
Stangerson's “boy”, a young detective by the name of Joe, led
them to the crime scene: a small terraced house in east London,
cordoned off by a thin strip of tape, which proclaimed “POLICE DO
NOT ENTER”. Joe led Grimshaw and Mortimer to the tape, lifted it
for them and watched them duck awkwardly beneath it; Joe was only a
short lad. Grimshaw reached for the door, which opened with the
lightest touch. He turned to Joe. “Did you not close the door?”
The patronising tone had crept back into Grimshaw's voice, and Wesley
winced as he turned to see Joe's reaction.
“I'm certain we did, sir.” Joe's voice had a slight Irish twang
to it which Wesley hadn't expected.
“Hmmm...” Grimshaw inspected the door closely, whipping his
magnifying glass from his pocket. The lock was lined with scratches,
and the door-frame was damaged; someone had forced their way in. “Did
the murderer get in through the front door?”
“No sir, the back. And we boarded that up.” Joe responded, his
voice getting quieter as he realised what Grimshaw was implying. He
unclipped his truncheon from his belt and readjusted his helmet.
“Then someone else has been in here...” Grimshaw trailed off,
beckoning at Wesley to follow. “Come. But be careful; they could
still be here.”
“Do you think it was the murderer?” Wesley whispered to Grimshaw,
not wanting to panic the young detective. “Coming back to clear
up?”
“Quite possibly.” Grimshaw edged forwards slowly, noting the
cobwebs in the corners and the mould on the wall; the victim did not
live a good life. “Just be ready.”
Grimshaw pushed a door and opened and entered the...living room, he
assumed. He put a hand out to stop Joe and Wesley going any further,
protecting them from the worst of the sight. “My god...” He
muttered, looking around.
Both the beige wallpaper and carpet were stained with splatters of
red, puddles forming on the floor. Grimshaw gulped hard to force the
vomit back as slowly entered the room, still holding his hand back to
protect the others. Subconsciously, he knew they would be able to see
the man hanging from the ceiling in the centre of the room, but at
least their view was impaired. They couldn't see his face, which,
where not covered in bruises, was stained with streaks of blood,
still wet as they ran from six spiky letters carved in his forehead:
KILLER. In addition to the words carved into his forehead and being
hanged, the victim's wrist's were slit open, still dripping into two
puddles beneath each limp arm.
Wesley pushed Grimshaw's hand down and stood next to him in silence
as Joe ran outside and a grotesque retching sound followed. “What
the frack...” Wesley slowly walked over to the body.
“Don't touch it!” Grimshaw realised that he was more forceful
than he needed to be. “Evidence could be lost.” Grimshaw stared
at the corpse's face; a middle-aged man, beaten almost beyond
recognition. Almost.
Wesley caught Grimshaw looking. “You alright, Lewis?”
Grimshaw nodded. “Yeah...it's not like it's real, anyway.” Wesley
cocked his head in vague agreement. “But this man...he was
Stangerson's second suspect, the one in the photograph he showed me.”
Wesley looked at the corpse in disgust; maybe he deserved this.
“You think we've got a vigilante running around?”
Grimshaw nodded. “That, or just
another killer. Either way,” He gestured around the room as Joe
re-entered, “I think we're out of our depth here. Scotland Yard
should take it further now.” Joe nodded, and left again, presumably
to fetch help. “For us, Wesley,” Grimshaw said solemnly, bowing
his head, “this case is closed.”
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